Archive for April, 2009

April 18th, 2009

Blue Shadow

Southern city streets are silent on Sundays. Churches shake with the sounds of heaving organs, fervent clapping, and tearful screams of praise, but the roads remain deserted. Even the squirrels rest from collecting their acorns. Sunday, the Bible reminds Virginia through Texas, is sacred. Only atheists, Jews, and Candy Loo ignore this.
Candy Loo parked himself on a rickety bench just facing Sacred Heart Cathedral. The final bell rang as a five-member family scrambled inside, the mother dragging the smallest and most reluctant child by the hand. The father held the door open for them all. Then the five of them disappeared into the house of wafers and wine. Candy Loo popped an unsalted peanut into his mouth. The salted kind cost too many pennies extra. He would rather spend that money on the outside of his mouth.
The mouth boasted full lips, the kind that even saltiest peanuts could only slightly deflate. The lips looked soft and smooth. And for all the time Candy Loo spent exfoliating and applying strange, European creams to them, it was no surprise. Candy Loo colored his lips the most tempting shade of red—not vampishly red or red light district red. It was a lush red, like fresh fruit syrup. His lips deserved to be kissed. And you wanted to kiss them.
You did not, however, want to kiss the rest of the face. The small eyes gleamed black and nasty, even when Candy Loo smiled the sincerest of smiles. Nobody could trust those eyes under any circumstances. The large, crooked nose craned over the fruity lips. A blue shadow darkened the cheeks and chin. Shaggy, bleach blonde hair hung straight down the sides of Candy Loo’s face, making it appear even longer and thinner. It was a witch’s face, minus the unfortunate warts.
As one’s eyes traveled downward, they noted the thick neck that also bore a blue shadow of stubble. Nothing about it alluded to the white and slender neck of a swan. The Adam’s apple protruded as if Candy Loo himself had gagged on a bite from the Tree of Knowledge. The broad, bony shoulders nearly burst out of the women’s extra-large blouse the man usually wore. A stray hair or two poked out from the holes in the blouse’s delicate lace. The chest was a man’s, the hands were a man’s. The invisible waist, the narrow hips…they all belonged to a man.
Yet Candy Loo never identified himself as a man. At least not anymore. Ever since high school, he shaved his legs, pulled on pantyhose, and wore the biggest stilettos you ever saw. So desperately did he want to shed his birth given sex and shine at his senior prom in a taffeta gown. He dreamed of a shimmering silver dress with a luxurious train. And in his dreams that gown remained. His parents said he would either go in a tux with a nice neighborhood girl or not at all. Candy Loo made his choice and, thus, did not attend his prom.
Then, the day of graduation, he dropped his birth name and became Candy Loo, the most pathetic drag queen in all of Richmond. When the school principal called out “Harvey Lomax, Salutatorian” during the ceremony, Candy Loo remained seated. The auditorium’s mood fell from celebratory to horrified. The Valedictorian extended his speech on the whim as a quick cover-up but nobody listened. They only peered over at Harvey, with their confusion slowly evolving into pure disgust.
His father never forgave him. His mother skipped the graduation reception afterward and walked to the car, crying. Candy Loo’s parents revoked his college tuition and told him to pay his own way. So Candy Loo decided not to go at all. Instead, he hitchhiked across the country for a few years, supporting himself as a dancer for gay bars and a waiter for straight ones. Every drag queen he saw surpass him in their glorious femininity. Fatigued and thoroughly jealous of all the she-men stars that outshone him, Candy Loo eventually returned to Virginia. No one asked where he had been because no one remembered him. Only Harvey Lomax existed in their minds.
But Candy Loo was no longer Harvey Lomax. Harvey Lomax wore cool Levi’s jeans and impeccable polos, with his hair gelled back, just as his mother expected. Harvey Lomax made out with tittering girls to convince his father that he had a libido. Harvey Lomax was a track star and Honor Roll student because that’s what his older brother had been. Harvey Lomax was a liar and a huge disappointment only to himself.
Candy Loo abandoned polos and girls and conventional education and organized sports. Rather, Candy Loo embraced thrift store duds, sloppy men, his public library card, and walking around city streets for exercise. That may have worked for him in Baltimore, New York, Philadelphia, Portland, Seattle, and San Francisco, but it would not work for him in Richmond. Not if he wanted a roof over his head.
“I’ve had a roof over my head long enough,” Candy Loo hissed when the twelfth potential landlord with whom he had scheduled an apartment tour slammed the door in his face.
Two facts existed: 1) No respectful Christian Southerner would tolerate a drag queen in his building. 2) Candy Loo would not change.
So Candy Loo begged during the day and slept in the park at night. He carried around a coffee can he had painted pink, shaking it at all passersby and putting on his best falsetto:
“Ma’am, mister—ya got some change ta spare? Anythin’! Anythin’ will do!”
People either responded with pity at his crooked fake eyelashes and overwhelming perfume, or they condemned him for pretending to be what they believed he was not.
“Such a sick man.”
“Look at him. He think he a woman.”
“Couldn’t he at least shave the hair off his face?”
“Faggot. Fucking faggot.”
Sometimes, after a long day of begging, Candy Loo would walk past his childhood home and wonder about his family. Had his father finally retired from the university? Had his mother started up that catering business like she always hoped? Was his brother married, living out in the suburbs somewhere? Maybe they had all died and Candy Loo was the only surviving member of the Lomax clan. Yet he was no longer a Lomax.
On this gray Sunday, Candy Loo had already been awake for hours as pious Richmonders scrambled into church. He had already surveyed all of the empty stores with their richly adorned windows, reapplied his lipstick sixteen times, and gone through two bags of plain peanuts. Since the public library was closed, the only thing left to do was beg. People, he knew, usually exhibited vain generosity on the Sabbath.
At noon, the congregation scuttled out of Sacred Heart, filling the street like James River crabs in the summertime. Candy Loo threw his empty peanut bag on the ground and picked up his pink can. Time to go crabbing.
“Ma’am!” he called out in his high-pitched drawl. A short, middle-aged woman sporting a garish lavender hat spun around.
“Can I help you?” she asked through tightly pursed lips.
“Got any change to spare, please?”
The woman instinctively clutched her purse. “I just gave to the church.”
“The church doesn’t help me, ma’am.”
“If they don’t help people like you, who do they help?” The implication being, of course, that people like her did not require help of any kind.
Before Candy Loo could respond, the woman’s bald, sharply suited husband put his arm around her. “Is this…creature…bothering you, Coretta?”
“It asked for money.”
The bald man snorted. “It thinks money can help it?” Then he paused and looked directly at Candy Loo as he spoke. “Let’s go, dear. We have to get to the country club.”
The couple turned away from Candy Loo just as he turned from them. Globs of mascara streamed down the drag queen’s powder-caked cheeks. He walked back to his bench and pulled out another bag of peanuts. It was not the first time such a nasty episode had transpired, nor would it be the last.
“To be a peanut,” Candy Loo sighed, “To grow up with only one path and no options. But at least it’s a path nobody objects to. After all, there’s a whole industry that supports what you grow up to be.”
He sucked on the peanut until all he could taste was the fleshiness of his tongue. Then he crunched through the nut, scraped the sticky skin off of his teeth, and swallowed it. He shoved another in his mouth, grew bored with it, and resorted to pouring an entire handful into that black hole of teeth and gums.
The peanuts now gone, Candy Loo scooped up his can and delved into the Fan District, the nearest residential neighborhood. Victorian era townhouses lined the narrow roads. Flowers sprouted from the contained gardens. Trees appeared eloquently reserved. Cars were perfectly parked. Paint did not shed and grass did not fade in the Fan.
Candy Loo rapped on the first door he came to. An art student answered and jammed a few $1 bills into Candy Loo’s can.
“Don’t get drunk,” the skinny man muttered. He had on some hip band T-shirt and balanced a cigarette on his bottom lip. Billows of smoke partially obscured his chiseled chin and flapping ears.
Candy Loo cleared his throat. “I don’t drink, but thank you.”
The man nodded and closed the door, shutting Candy Loo out of the house that smelled of a dozen cats and cookie dough.
Candy Loo proceeded to the next house and then the next one, and the one after that. Most of the houses he tried were occupied. People came to the door, often gave him change to appease him, and possibly made a disapproving remark. That constituted the extent of their interactions. Nobody asked Candy Loo for his life story or even a tiny explanation. They did not care about the human behind the gaudy clothes and make-up. All they saw was tacky glitter and bad nails.
This did not particularly offend Candy Loo. He accepted it as part of his lifestyle. Only the most golden of souls would inquire about his health or happiness and perhaps invite him in for a warm cup of tea, perhaps even dinner. If Candy Loo shed a tear or two, it was involuntarily. His body reacted when his heart felt nothing. No one could offend him after all these years, he reasoned.
The drag queen adjusted his velvet skirt. The top button kept popping open. Once certain that he looked his most presentable, he continued knocking on doors. He had to compensate for his lackluster earnings outside of Sacred Heart, after all.
Hours passed before Candy Loo found himself strutting around Jackson Ward, one of the scariest neighborhoods in that part of the city by all too many accounts. Yet reputation does not deter a truly hungry man.
Weaving in and out of streets renowned for sins both archaic and modern, Candy Loo fixed his black eyes to the ground. It was safer than catching a gangster’s gaze. When a pimp greeted Candy Loo, he mumbled hello but kept going.
“Wait!” the pimp cried.
Candy Loo froze, prepared to say he would not sell his body at any price. He bit his red lower lip.
“You need a buck?”
Candy Loo hesitated but pivoted around to face the pimp. The pimp reached his ringed fingers into his deep pockets.
“I don’t like carrying around change,” the pimp said. “Too heavy.” He dumped a clump of quarters into the can. Like rain on a tin roof, the quarters plinked.
Candy Loo half-grinned. “Thank you.”
“Sure. Have a nice day, ya hear?”
The pimp rounded the corner and vanished. Candy Loo shook his can just to hear the coins jingle. The sound pleased him, as did the thought that even a pimp could be kind. Suddenly the drag queen’s blouse did not feel so tight.
Candy Loo stood slightly taller. He thrust out his chest, in his mind a buxom D-cup. He would buy a beautiful dinner at a stylish restaurant in Carytown, one of the fanciest parts of Richmond.
“No peanuts tonight,” he whispered to himself. The corners of his lips curled up.
Renewed, Candy Loo knocked on the next house along the street. It was a naked brick, single-family home with a porch. Two wicker chairs and a table displaying pots full of ferns adorned the porch. A dirty Welcome mat was situated before the door. The stench of mothballs hovered in the air.
Nobody answered when Candy Loo knocked so he rang the doorbell. A dog began to bark. Candy Loo waited a beat before he heard the keys on the inside of the house dance around. Someone was attempting to unlock the door.
Finally, that someone cracked the door open.
“Git!” a man’s voice shouted at the jumping dog. The dog whined and scampered away. The man opened the door full, completely exposing himself to Candy Loo.
“Afternoon,” the man said. He was heavy-set and missing a finger or two.
“Good afternoon, sir.”
“What you need?”
“Could you spare any change, please? I need some—“
“No, I got it,” the man murmured as he looked Candy Loo up in down with a voracious curiosity. “I got it. I mean, I have a daughter.”
Candy Loo raised his eyebrow.
“I know what you pretty things like and need.”
Candy Loo laughed a nervous laugh, still perplexed.
“Matter of fact, my daughter—Forrest, that’s her name—was just cleanin’ out her room today. Found a bunch of stuff she didn’t need or want anymore. Let me go and see what I can bring you.” He pointed to the inside of his house and softly closed the door.
The breeze rustled Candy Loo’s stiff hair. He tapped his foot and hummed a tune his mother used to sing. Never did she imagine her son singing the same song while dressed in drag, though. She must have imagined him singing it to his newborn child as he crouched over the baby’s crib, no doubt holding his wife’s hand. Harvey Lomax would have a comely wife and a flawless son or daughter.
“Okay,” the man of the house said as he opened the front door again. “I got just what you need.” He extended his arm and gave Candy Loo an envelope.
“Thank you kindly, sir,” he said as he took the envelope. He was too shy to open it right there.
“Not at all. God be with you.”
The two men looked at each other for a moment. Then Candy Loo thanked the man again and left the porch.
Once Candy Loo made it off the street, he sat down at a bus stop. The envelope was new, the whitest of whites. Candy Loo dug his index finger into the back flap to tear it open and revealed a piece of pastel-colored paper. It brandished elaborate curlicue script that Candy Loo had trouble deciphering. He squinted his eyes.
It was a gift certificate to a local beauty salon.
Candy Loo crumbled up the paper, tossed it to the ground, and spat on it. Then he waved down the approaching bus and headed to Carytown. He would order something French and expensive, even if he could not pronounce its name. Better than the greasy cheeseburger Harvey Lomax always fell back on in times of stress or disillusionment.

CHRISTINE STODDARD is a writer and interdisciplinary artist from the Washington, D.C. area. Currently she is studying Art History and English with minors in Creative Writing and French at VCU Arts in Richmond, VA. Previously, her work has appeared in a variety of university literary magazines (such as ones from George Mason, Howard, Grinnell College), newspapers (Benton Courier, Washingtonpost.Newsweek Interactive), and many magazines, ‘zines, and websites. To learn more about her and her creative projects, visit www.christinestoddard.com

April 17th, 2009

Wire Sitter

This is part two of our ongoing series: Silence and Simplicity. These photographs are an attempt to capture various aspects of rural life, the silence and the simplicity. The following is an image of barbed wire, a sight commonly found amongst military bases and prisons, or areas requiring high security.

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CHRISTOPHER WOODS has published a prose collection, UNDER A RIVERBED SKY, and a book of stage monologues for actors. Other photographs of his have appeared or are forthcoming in ANDERBO, PUBLIC REPUBLIC, BAP QUARTERLY and NARRATIVE MAGAZINE.

April 16th, 2009

His Name Written in the Water

The pulses of our morphing
desire are beat out against
the musk that
emanates from the blooming
rhythms of the sensuality
in his voice, as an oar plunges
into the sea,
making circumferences
with the ripples of a
galaxy of stars,
cosmic dust, and planets spinning
out across the darkened
surface of its limpid
liquid universe.

DOMINICK MONTALTO is a freelance copy editor pursuing full-time work in the publishing industry in an editorial capacity. His educational background is in Literature, Art History, Philosophy, and Religion. He is a poet and critical prose essayist, with several publishing credits in both genres in print and on the web. His literary field specialization is the long 19th century from the French Revolution through the early Modern novel, with particular focus on the evolutionary changes of the Gothic, British Romanticism, French Symbolism, British and French Decadence and Aestheticism, and Orientalism. His religious and philosophical interests focus on the various sects of mysticism, as well as Christianity, Hinduism, and Buddhism. Overall, he continues to hold a strong interest and love for the different aspects of the arts and humanities.

April 15th, 2009

Red

Lacking sobriety and piety,
Your society quietly and idly
Sits by as you riot violently
And without variety.
On Your Dime this crime kills the
Will to climb as time slips by,
The sublime pantomime.
Face to face you laced this
Space with lies and debased
With haste everything. But
This hate is easily traced to
The place where you faced
the same dilemmas and
erased systemically the
Case this ace laid upon you.
He stretched the truth;
fetched the imaginations
Of our youth. You did too, sketched
On the notepads in their heads
Etched visions of the color red,
Of those long dead until you sped,
Away through the fray because
You couldn’t stay. You couldn’t
Handle another day spent this way.

POETRY_BRANDEN

April 14th, 2009

Bona Fide

Tales of elation often ending in humiliation
Have passed from generation to generation
Like trains that pull into the station every 20 years
Or so. And on occasion some brazen
Young fool still sets out in search of these false creations.
Back then they were gritty stories of gold and glory.
These tales have evolved but still revolve
Around individual resolve. They cement
Their ideas into our heads and the intent
Is to present that we can be anything. It’s true to a certain extent,
But they often neglect to interject to keep our youth in check.
The old stories of success were not of those who, when under duress,
Turned back claiming stress. “It’s too hard”; “I was dealt the wrong cards.”
Excuses are traps that retard our ability and foster social sterility.
If you want to get anywhere you’ll have to sweat and bear
The hardship on the way. If you really care
About your future you’ll need to swear to yourself and anyone else
That you’ll get to where you want to be. It’s not enough to talk
About it. Prepare carefully, and be fully aware of the sacrifice.
If sometimes you’re turned away, don’t stray.
Stay in the loop and don’t stoop to blame,
It won’t work and it always ends the same.
You drop names of everyone you think has fueled the flame,
It may be true but in the end we all know it was you. You blew
It . Play it straight; you can be great. Or remain in your current state
Of mind and you will find yourself wandering the city
In search of someone’s pity. Own up to your mistakes;
You’ll see that fakes never make it. Take it in stride,
Know that you tried and you will arrive in time.

Poetry_BRANDEN.

April 13th, 2009

Dark Earth

This is part one of our ongoing series: Silence and Simplicity. These photographs are an attempt to capture various aspects of rural life, the silence and the simplicity.

dark-earth

CHRISTOPHER WOODS has published a prose collection, UNDER A RIVERBED SKY, and a book of stage monologues for actors. Other photographs of his have appeared or are forthcoming in ANDERBO, PUBLIC REPUBLIC, BAP QUARTERLY and NARRATIVE MAGAZINE.

April 12th, 2009

Reflection from “The Way to the Rainy Mountain”

After reading “The Way to the Rainy Mountain,” I thought about my contact with Native American people. In the Pacific Northwest, the most notable Native American group is probably the Tulalip. Their reservation, located in Snohomish County, near Marysville, has several miles of frontage on Interstate-5. From the freeway, I can see their casino. I have noticed that they are even adding a hotel to it. Looking at the casino, I think of Las Vegas, and the wonderful buffets. I know people who have tried the buffets served at the Tulalip Casino, but as far as I know, the quality of the food isn’t as great.

Adjacent to the casino, there is an outlet mall called Seattle Premium Outlets. I have only been to mall once, but it was quite an interesting experience. I was able to find something I liked too. When I walk through the stores there, it is evident that some of the items they sell are products exclusively to the outlet version of the store. Other items there are clearly stuff that the main stores don’t want, so pretty much it’s their excess product. Other times I see that place is when I head up to Vancouver, about every three months or so. We drive by the area twice each time, once heading up, and once coming back down.

Overall, I have noticed everyone in this world trying to develop their land and make the world a more eventful place. The new development in the Tulalip area is no more than ten years old. Such developments usually represent prosperity and to do so, one must adapt to one’s environment. This is evident in “The Way to the Rainy Mountain” about the Kiowas moving and fighting to adapt change. Personally, I see change as good. I like seeing new buildings pop up and more things to do.

April 10th, 2009

The Best

Dressed to impress I set out to best the rest
In this test that we call life. Stress
And duress are sacrificed to success,
If you can’t handle it that’s too bad,
So sad. Maybe you’ll catch it next time, oh wait-
Too late. The torch has been passed to the next great
This or that. And this, class, is the lesson for today.
That is to say, sit back and wait and you may
Just lose it all. Carpe Diem, seize the day,
Or you’ll wake up old and gray wishing you had found a way.
You didn’t, you couldn’t, you wouldn’t. But I will.
I have the skill to thrive, the will to survive;
Absolutely nothing can kill my drive. My passion
Is casting the mold for a lasting future. Nothing can stand
Between me and my master plan. I’m staking a claim;
I fan the flames of my aims with images of what I overcame.
I played the game and barely came out the other side alive.
Now I strive to arrive in the winner’s circle with my pride
Intact. Step back, I’ll attack if you won’t. I’ll go and you know
That I won’t throw any opportunity away. Not today,
No way, even if it means I have to stray into the fray
I will not sway. You snooze you lose as they say.
That’s not me as you can see; I know that nothing comes free.
If I want it I’ll take it and that’s that. No questions asked.
This my friends, is why in the end I will not only contend,
I, will, win.

Poetry_BRANDEN.

April 9th, 2009

The Hustle

The Hustle is an upcoming movie directed and produced by Nathan Mass. The story is about three local hustlers who get involved with something that is way over their heads.

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NATHAN MASS is a professional video director and producer based in Seattle, Washington. His portfolio can be viewed at: http://www.youtube.com/student1776.

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April 8th, 2009

Coasting on the Cascade Train

chilling_on_the_train

PJ has been a computer rehabilitator, borg and is currently a photographer in Seattle, Washington.